Aftertouches playfully exploits the systemic nature of a post-sacred and post-instrument world, continuing Kara-Lis Coverdale's exploration of coded realism and virtual transfiguration. Through an optimistic lens, Aftertouches explores and celebrates the multiple voices of the machine. Synthetic instruments sourced from VSTs, sound banks, and personal archives are arranged into holograms of dreams once inspired by physical origin. Through digital superimposition processes, instrument profiles mutate and take on new forms of articulation. Crystalline organs support and prop plas… read more
Aftertouches playfully exploits the systemic nature of a post-sacred and post-instrument world, continuing Kara-Lis Coverdale's exploration of c… read more
Aftertouches playfully exploits the systemic nature of a post-sacred and post-instrument world, continuing Kara-Lis Coverdale's exploration of coded realism and virtual transfigurat… read more
Kara-Lis Coverdale, also known as K-LC, is a Canadian composer, musician, producer, based in Montreal. Coverdale is known equally for her piano, organ, and keyboard work as she is for her experimental electronic projects; often her work integrates the two, blurring the lines between traditional composition and research-based modernism. Coverdale began studying music and piano at age 5. An improvisational virtuoso at a young age, she had composed and performed her own music before age 10.Her mother is an Estonian visual artist and her father a builder and entrepreneur. She was a comp… read more
Kara-Lis Coverdale, also known as K-LC, is a Canadian composer, musician, producer, based in Montreal. Coverdale is known equally for her piano, organ, and keyboard work as she is for her e… read more
Kara-Lis Coverdale, also known as K-LC, is a Canadian composer, musician, producer, based in Montreal. Coverdale is known equally for her piano, organ, and keyboard work as she is for her experimental electronic projects; often her wor… read more